Gerhard Rühm is a radical experimenter,
a restless explorer of traditions and genres, atomizing their elements
in order to recompose them with conceptual precision and a multiplicity
of compositional techniques. He has worked with music and visual art,
but basically the world is language for Rühm, the dictionary its
body, and the alphabet its backbone.
Gerhard Rühm was born in Vienna
in 1930. He began by studying composition and Oriental music, but came
to devote most of his energy to literature,
esp. concrete poetry. His aim has been nothing less than making language
an aesthetic medium on a par with music and visual art.
Rühm is also known for his editions of Baroque and Expressionist poets.
His prizes include the “Grosse Österreichische Staatspreis” (1991)
and the “Hörspielpreis der Kriegsblinden” (1983). From 1972-95
he taught at the Hamburg Academy of Fine Arts. He now lives in Cologne.
for R. means semantic excess and turbulence, the coitus of words outside
their usual use.”
almost constructivist compositions derive their solidity from the musical
use of rhyme, assonance
,alliteration and rhythmic figures,
and not least through song- and sonata elements.”
Peter Dencker, Nürnberger Nachrichten
Rosmarie Waldrop's most recent books of poetry are Blindsight (New Directions)
and Love, Like Pronouns (Omnidawn).
She has translated Edmond Jabès (her memoir, Lavish Absence:
Recalling and Rereading Edmond Jabès was published by Wesleyan
University Press in 2002), Jacques Roubaud, Emmanuel Hocquard, and,
from the German,
Friederike Mayröcker, Elke Erb, Oskar Pastior.